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Movements that define characters

Actors performing in the play The Servant Of Two Masters at Piccolo Teatro di Milano
Image caption,
The Servant Of Two Masters, Piccolo Teatro di Milano Credit: Piccolo Teatro di Milano/photo Ciminaghi

Commedia dell鈥檃rte was a form of theatre that began in Italy in the 16th century. It uses stock characters or types that are defined by certain characteristics, particularly comedic movement. This idea of using a movement to define a character can be rewarding in some of your own work, particularly comedy. Look out for influences such as these when you鈥檙e describing body movements in a production. For example, the National Theatre鈥檚 acclaimed production of One Man, Two Guvnors was influenced by Commedia dell鈥檃rte.

Physical mannerisms

A realistic well-rounded character may have a distinct physical mannerism, something that鈥檚 unique to them. Salty from John Godber鈥檚 play, Teechers for example may shove his hands deep in his pockets and shift from foot to foot to show his energy and restlessness.

A nervous habit of scratching your nose, a vain flick of the hair or an exaggerated limp are all possible ideas to build a character鈥檚 mannerisms. Think of familiar character types on stage or on screen and the mannerisms or movement that define them. How would television鈥檚 Mr Bean character change if he didn鈥檛 have his rubbery facial expressions and clumsy body movements?