Â鶹¹ÙÍøÊ×Ò³Èë¿Ú

Archives for May 2011

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú World Service Language Websites: user experience and typography

The Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Chinese website was recently relaunched in line with Â鶹¹ÙÍøÊ×Ò³Èë¿Ú's new Global Experience Language (GEL).

Following the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Arabic, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Russian and Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Persian relaunches earlier this year, this further adds to the growing typographic richness of GEL, as well as expanding on GEL's use in the news domain within the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú.

I'm the Senior Creative Director for World Service websites.

I'd like to share with you some of the user experience thinking behind the project, and give an overview of one of the most challenging aspects of the project: typography.

Since the GEL redesign of the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News site in July 2010 we have been working to align the user experience of the family of news sites around the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú.

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú World Service offers news in 27 different languages including English. This amounts to 27 siblings to the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News site in varying shapes and sizes in 27 different languages, using nine different scripts.

Given the diverse landscapes these sites operate in - in terms of editorial offer, audience expectations, technical infrastructure in target markets and typography, to name but a few - the goal of aligning user experience has been an interesting challenge.

Context

Unlike most localisation projects, World Service language sites are not direct translations of each other (or the English News site), on the contrary, their editorial offers are tailored to their target markets.

In our previous redesign, when we moved World Service language sites from 800px to 1024px wide templates, our approach was towards a much more tailored UX solution for each site that fitted their editorial offer and the expectations of their respective audiences for a news site.

This tailored approach produced good results for those of our audiences who don't read English and whose only exposure to the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú site is on the news site in their own language.

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú World Service home pages

However, it had an undesirable effect of creating a user experience barrier between these sites - especially for those in our audiences who switch between the English News site and another one in their first or second language who had to learn different conventions to find their ways around these sites.

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Major changes to Vision commissioning for Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online

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Andy Conroy | 11:37 UK time, Friday, 27 May 2011

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online is in the process of making major changes, as we set ourselves up to deliver the new strategy outlined in January. Central to this is the emerging discipline of product management (blogged about by Chris Russell here).

From divisional websites, to pan-Â鶹¹ÙÍøÊ×Ò³Èë¿Ú products: the operational challenge

This is a challenging process. Like any other media organisation born in the linear age the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú has had to work out how to embrace emerging technologies to meet its purpose without throwing away what we do best.

The new strategy reflects a move away from an operational model where each Â鶹¹ÙÍøÊ×Ò³Èë¿Ú division has a website budget to support its own editorial ambitions to one more founded on partnerships. The aim is to bring technically skilled staff in Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Future Media together with editorially skilled people in other divisions and ask them to create products which have a single set of objectives. This will put boundaries on what we do online, as well as create a more efficient Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online that's greater than the sum of its parts.

Along the way, this throws up acute challenges in governance, organisational structure and operations - as well as the challenge of hitting tough financial targets, and the implementation of major projects such as the move to Salford.

Yesterday's announcement to Â鶹¹ÙÍøÊ×Ò³Èë¿Ú staff

As announced in January, we expect the changes to result in around , from across the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú's divisions, over a two-year period. Today, my colleagues in Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Vision announced to their staff how they will be setting themselves up as part of the new Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online. This includes:

• the detail of the job cuts (confirmation that 90 - 100 posts will close by March 2012) and;

• the impact on commissioning within two Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online products: TV & iPlayer and Knowledge & Learning

A new focal point for industry at /commissioning

The existing multiplatform commissioning team will be disbanded within Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Vision, with commissioning to be run at genre/ channel level.

This means that there will no longer be an overall divisional budget to spend on individual TV websites. Instead, fewer commissions will be made and they will be part of a broader creative process which more closely aligns online and linear TV commissioning. These online commissions will also be shaped by the strategy for Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online's products. Victoria Jaye and Saul Nasse have outlined more details here and here. And there's more in yesterday's article in Ariel.

What this will mean for audiences

We expect this streamlined approach to deliver operational efficiencies. As a consequence, we hope, it will be far easier for third parties to work with us (this is the subject of a wider review). Also, we expect to be able to reduce investment in competing and non-interoperable technologies. And this will mean that editorial teams are free to focus their resources on providing higher-quality output which will appeal to both regular and new users of Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online.

Here's of yesterday's announcement.

Andy Conroy is General Manager, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online

How Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online will meet changes to UK cookie laws

Today European privacy laws come into force in the UK, with the intention of giving internet users more control over the data websites gather about them. New rules require websites to obtain consent when placing 'cookies' on your computer, mobile or other device. Cookies are used all over the web for a variety of reasons - from enabling basic functionality to help the web remember your preferences, to creating detailed profiles of your browsing activity. I want to update you on how the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú will be approaching this change.

The (ICO) on changes to the cookies rules earlier this month to clarify how websites should obtain user consent for cookies. A further ICO confirmed that the ICO would give website owners up to 12 months to comply with the new cookies law before enforcement begins. This is because currently there is no easy technical way to enable individual cookie consent.

While some might welcome a pop up which asked for consent every time a cookie was used on a website, others might find it significantly spoiled their experience. The Government recognises that the technical solutions are not yet there, and is working with industry to agree the easiest (and least intrusive) way to enable websites to obtain users' consent to individual cookies. There is a debate about what consent means, but the crucial point is that users should be able to give informed consent, in other words, websites need to be very clear about what cookies they are using and why, and ensure that users have a choice.

How will the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú comply with the law change?

Today we're publishing an updated list of the main cookies in use across Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online and what each is used for. It also tells you how you can control cookies by setting your computer, mobile or other device to notify you when a cookie is issued, or to opt out of cookies altogether.

We're also reviewing the ICO Guidance and starting to develop a plan to achieve compliance for Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online. This is going to involve reviewing the different types of cookies in use and deciding on the best method of obtaining consent from users in each case, and making technical changes where appropriate.

We'll continue to provide you with clear signposting to the cookies we use on Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online, so that you can make informed decisions about them, whilst being able to enjoy the best possible user experience across our web offering.

How does the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú use cookies?

The Â鶹¹ÙÍøÊ×Ò³Èë¿Ú is committed to protecting you and your family's personal information when you're using Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online, and to providing users with a clear understanding of how and why we use cookies.

Cookies allow us to tailor our websites to you. For example, if you've customised your homepage we'll use cookies to store information about your preferred layout. If you tell us you always want to receive the weather forecast for Birmingham, we use cookies to save your location preference.

We also use cookies for internal purposes to help us to provide you with a better user experience. Information supplied by cookies helps us to analyse the profile of our visitors and to improve how we present our content to you.

Certain areas of Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online also use a specific type of cookie, called Flash cookies, for particular functions - for example, to help an online game work effectively on your device. More information about Flash cookies can be found here.

Finally, if you're outside the UK, you'll see the international version of Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online, bbc.com, which features advertising. A certain amount of this advertising is tailored to the individual user. This "onsite behavioural targeting" uses cookies to discover general information about the pages you visit. The tracking system is anonymised: it doesn't know who you are; it simply uses the limited information available to it to serve ads to you which it believes are relevant. More information about the use of onsite behavioural targeting, and how you can opt out from it, can be found here.

Other useful links:

Kate Leece is Head of Legal & Business Affairs, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Future Media & Technology

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News app comes to Android devices

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Anthony Sullivan | 11:59 UK time, Wednesday, 25 May 2011

A lot of people have been asking when the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News app will be made available on Android devices, which is understandable given the platform's growing popularity.

So, I'm delighted to announce that from today the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News app. Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Worldwide will soon be launching an international version of the app for audiences around the world.

At Mobile World Congress this year, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Director of Future Media Ralph Rivera reiterated our ongoing commitment to repurpose core, distinctive Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online services for a range of mobile devices. The Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News app was launched on iPhone and iPad in the UK last July and has proved hugely popular, with nearly 3 million UK downloads and a further 3 million internationally to date. Its arrival within Android Market brings immediate access to breaking news and broadcast content to a wider 'on-the-move' audience.

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News on an Android phone

Nowhere is immediacy and accessibility of content more important than with news. We witnessed a 78% increase in users of our mobile browser service on the day news broke of the death of Osama Bin Laden.

An increasing proportion of our audiences now access Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News via mobile devices. This trend isn't new - licence-fee payers have been able to access Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News on mobile phones through their browsers for around nine years - but it's increasing. We have responded by delivering Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News Online to devices via apps to ensure a simple, intuitive user experience, with opportunities for personalisation.

The app achieved around 57,000 downloads in the week commencing 2 May driven by the Osama Bin Laden story - a clear testimony to audiences' appetite for a higher quality, on-the-move experience. And, the app is a trusted bookmark during moments of national and international significance, attracting a record 540,000 UK users around the Bin Laden story, and 376,000 UK users on the day of the Royal Wedding.

The Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News app on Android delivers UK and international news, business, politics, health, education, science and environment, technology and entertainment stories, as well as correspondent features and analysis to your device. The Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News app on Android is available free of charge.

Key features of the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News app on Android are:

• Simple design with scroll functionality to enable efficient browsing;
• Tap action to reveal full-screen article and in-story video;
• Sideways 'swipe' functionality to move between stories;
• Sharing tools to post stories to a range of social networks, email or send via SMS to a friend;
• Rapid news stories refresh and latest and breaking news 'ticker';
• Neat personalisation features, allowing you to personalise the home screen by adding and removing categories;
• Font controls to increase or decrease the story text size.

The Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News Android app is available on all Android phones and tablets running software versions 1.6 and above, but we're not yet supporting Honeycomb tablets (Android software version 3.0). The app's video experience is accessible to both Flash and non-Flash enabled devices, over wi-fi and 3G connections. In-story video is supported on Android devices versions 1.6 and above, and live streaming of the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News channel is possible on versions 2.2 and above which run Flash.

As the range of devices in the market widens, we plan to offer an optimised Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News experience to the widest mobile audience possible. With this in mind, we'll be working with manufacturers to look at ways of reversioning the service in the most efficient way. We'll also be working hard on improving the experience across our mobile services.

In the meantime, I'd like to hear your feedback on the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News app on Android. We've started to use the hash tag on Twitter this morning so join the conversation there, or post a comment below this blog post now.

Anthony Sullivan is Executive Product Manager for News, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Future Media

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú ALBA on Freeview

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Alix Pryde Alix Pryde | 21:46 UK time, Tuesday, 24 May 2011

We've recently had to make some difficult choices at the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú about how we use our digital TV capacity in Scotland. I thought it would be worth sharing the thinking behind our decisions, including how we were influenced by a principle in the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Charter and Agreement and insight about audiences' listening and viewing habits.

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú ALBA, the Gaelic language TV channel operated by Â鶹¹ÙÍøÊ×Ò³Èë¿Ú in partnership with MG ALBA, will launch on Freeview in Scotland on 8 June.

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú ALBA has been available on satellite (Sky and Freesat) for some time and launched on Virgin Media cable on 18 May 2011. The Freeview launch is the final piece of the jigsaw that will make Â鶹¹ÙÍøÊ×Ò³Èë¿Ú ALBA available to all TV homes in Scotland This will extend the reach of this public service channel allowing it to do more to meet its remit to serve Gaelic-speaking audiences and those who wish to learn the language. Crucially, the Freeview launch supports the universality principle in the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Agreement that asks us to give licence fee payers convenient access to the services that are intended for them.

To make space for this new service on Freeview affordably, the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Trust gave approval for Â鶹¹ÙÍøÊ×Ò³Èë¿Ú ALBA to broadcast in Scotland in the evening in place of the thirteen Â鶹¹ÙÍøÊ×Ò³Èë¿Ú radio services (see below for list) that we currently broadcast. The Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Trust also challenged Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Management to look at affordable technical solutions that would allow some radio services to be retained around the clock.

I am pleased to confirm that we have been able to retain three radio services while Â鶹¹ÙÍøÊ×Ò³Èë¿Ú ALBA is on-air. We decided to prioritise radio stations that are unavailable on FM, to maximise the convenient availability of our radio stations to licence fee payers. Unfortunately we couldn't make space for all seven stations that don't have full FM coverage, so we looked at audiences' radio listening habits on digital television in the evenings and gave priority to the ones that were the most listened to. As a result, the stations that will remain on Freeview in Scotland 24/7 are:

• Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Radio 5 Live
• Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Radio 1 Xtra
• Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Radio 6 Music.

Six of the other radio stations will still be available to listeners on FM radio. The other four remain available on DAB digital radio, free-to-air digital satellite and at bbc.co.uk/radio.

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú ALBA's transmission hours are:

• Weekdays: 5pm to midnight
• Saturday: 4pm to 1am
• Sundays: 4pm to midnight.

Outside these hours, all thirteen Â鶹¹ÙÍøÊ×Ò³Èë¿Ú radio services will continue to be available on Freeview in Scotland as now.

We hope that the vast majority of people affected by this change will continue to listen to our radio services by other means, such as FM radio, DAB digital radio, free-to-air digital satellite and at bbc.co.uk/radio. You may be interested to hear that the roll out of the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú's UK-wide DAB digital radio service continues in Scotland over the summer and into the autumn to bring more people into coverage of the network, extending even as far as Shetland.

This wasn't an easy set of decisions to make - prioritising Â鶹¹ÙÍøÊ×Ò³Èë¿Ú ALBA over the radio services and then prioritising the more popular digital-only services over the others. The fact remains that in making Â鶹¹ÙÍøÊ×Ò³Èë¿Ú ALBA available to all TV households in Scotland, in keeping with what the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Agreement expects us to do, we have taken away for some parts of the day one option for listening to some of our radio stations. We have sought to minimise the on listeners, but a small group of licence fee payers were listening to those services at that time of day on Freeview, and valuing the ability to do so. I regret that these people will be disappointed. The truth is that we had to balance the limited resource of capacity against the overall audience benefit.

Finally, I hope this explanation gives reassurance that we put a great deal of thought and analysis into the decisions we took, weighing up the difficult balances carefully.

Alix Pryde is Director, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Distribution

Six that are available on FM: Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Radio Scotland, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Radio nan Gaidheal and Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Radios 1, 2, 3 and 4. One that is available on MW: Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Radio 5Live. And six that are available digitally only: Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Radios 1Xtra, 4Extra, 5Live Sports Extra, 6Music, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Asian Network and the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú World Service.

Moderation and 'superinjunctions'

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Paul Wakely Paul Wakely | 13:38 UK time, Tuesday, 24 May 2011

I'm the Editor, Moderation Services for Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online, which means I oversee moderation of your comments across the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú website.

I wanted to respond to some interesting discussions about the moderation we've applied to comments about the 'footballer injunction' that has received so much coverage during the last few days. Following the naming of the footballer in Parliament I will, as much as I can, explain where we are drawing the line with moderation, and explain why some of you have had your comments removed for saying things everyone is saying on .

As it stands as I write this, on the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú website, you can say that the footballer who had an injunction in place regarding an alleged affair with Imogen Thomas, was named in Parliament as being Ryan Giggs. But the word 'alleged' is important - any statement that for example an affair, or blackmail took place is likely to result in your comment being removed due to the potential for defamation which the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú - or indeed you - may not have sufficient proof to defend. In addition as the injunction has still not been lifted we are still technically bound by its provisions. However, we have taken the view that we are able to report the parliamentary proceedings.

To those of you who use and , these rules probably seem quite strict. Injunctions, super or not, are difficult to moderate due to the secrecy around them, and particularly in a widely reported instance like this. The situation also changes quickly - the newspaper had an application to lift the injunction rejected both before and after Giggs was named. We've had to update our guidance to the moderators on recent injunctions several times, speaking to the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú lawyers to see what we could legally publish as more information became public.

I accept though that there may be times when the moderators have been over-cautious. If you believe this applies to your comment, you can make use of our appeals procedure. However, if you're one of those users who had me working at 11.30 on Saturday evening due to your increasingly creative ways of trying to breach the injunction, your appeal probably doesn't stand much chance of success...

But some of you are probably asking: 'Does the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú need to moderate comments about the injunction at all?'

Unfortunately, much of the reporting of this issue has wrongly been characterised as 'print media vs the Internet'. The question is really whether the big social media sites - with companies and servers based outside the UK - are out of the jurisdiction of an injunction imposed by English courts. This question might be answered in the coming months. What's not in doubt is whether the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú website is subject to the injunction. It is, and it's worth noting that the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú has in the past been compelled by the courts to in the same way Twitter has been asked to do so in this case.

As I've written before it's worth remembering that there are often valid reasons for reporting restrictions and injunctions, and this may prove to be the case this time.

Finally, the majority of comments across the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú website are reactively moderated, so if your comment has been removed and you've seen another similar one that hasn't, that's probably why.

Paul Wakely is Editor, Moderation Services for Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online

What's On Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Red Button 24th May - 6th June 2011

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Lisa Dawson Lisa Dawson | 18:00 UK time, Monday, 23 May 2011

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Red Button Blog

Springwatch 2011 Photo Gallery

This year, Springwatch fans will be able to press red to view our pick of spring nature photos taken by our audience, who have been busy capturing the wildlife of spring in all its glory. The images are selected by the Springwatch team from photos the viewers have uploaded on the Springwatch Flickr group.
The Springwatch red button service will be available on Freeview, Freesat, Sky and Virgin Media after Springwatch or Springwatch Unsprung at 9pm Mondays - Thursdays as well as selected times during the week.
To get involved and upload photos or for further information go to bbc.co.uk/springwatch
(Available from Monday 30th May)
Mon 30th May, 8:00pm-6:00am
Tue 31st May, 6:00am-1.30pm Sat 4th June (continuous coverage)
Sat 4th June, 5:30pm-6:00am Tues 7th June (continuous coverage)

Freeview:
Mon 30th May, 8:00pm-9:50pm
Tue 31st May, 12:10am-6:50am & 8:00pm-9:50pm
Wed 1st June, 12:10am-6:50am & 7:30pm-9:50pm
Thu 2nd June, 4:10am-6:50am & 8:00pm-9:50pm & 12:10am-6:00am
Fri 3rd June, 6:00am-6:50am
Mon 6th June, 8:10pm-9:50pm
Tue 7th June, 12:10am-6:00am
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April 2011 Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer performance pack

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Nick Reynolds Nick Reynolds | 12:29 UK time, Friday, 20 May 2011

It's time for the latest in the series of monthly Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer performance packs.

The PDF is available as a download here.

Some highlights selected by the Communications Team:

• In April, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer received 141 million total requests for TV and radio programmes across all platforms and devices.

• The new series of Doctor Who delivered the most-requested programme this month, with Russell Howard's Good News also returning strongly. New drama was also prominent, with The Crimson Petal and Candy Cabs alongside Waterloo Road and Waking The Dead. The main section of Royal Wedding coverage appears in the list, although in total the whole event delivered more than a million requests via Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer.

• For radio, World Cup Cricket continued to attract the most requests, along with football, and Radio 1, 2 and 4 programmes on catch-up.

• Live TV viewing via Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer made up 14% of all TV requests in April, while live radio listening dropped back slightly to 73%, following the peak in March (which was boosted by Comic Relief and cricket coverage).

Nick Reynolds is Social Media Executive, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online

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#bbcsms: Â鶹¹ÙÍøÊ×Ò³Èë¿Ú College of Journalism Social Media Summit

Today is the second day of the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú College of Journalism's "Social Media Summit".

Yesterday's session was held under "Chatham House Rules". Which seems to have created (One Man and His Blog published on this subject with some yesterday afternoon).

Today is described as a "wider public session". There are full details of how you can follow events today and lots of detailed blog posts about a wide range of the subjects covered on the College of Journalism website.

Nick Reynolds is Social Media Executive, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer Desktop: Series Record launched

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Dave Price Dave Price | 13:35 UK time, Thursday, 19 May 2011

Yesterday, as part of the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer's continuous evolution, we've launched a new feature, which we're calling Series Record.

The new feature means that with the latest Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer Desktop application, you can "subscribe" to download future episodes of any programme on Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer. The desktop application installs on your computer and lets you download programmes to watch in the highest available quality, regardless of your broadband speed.

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer download options

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer download buttons

For those who aren't acquainted with the app, you can download and install it here at www.bbc.co.uk/iplayer/install, or click the download buttons next to most programmes in Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer.

ÌýHere are a few good reasons to use the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer Desktop app:

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• You no longer need to remember to watch your programme within seven days. Downloaded programmes are available for up to 30 days before they expire (seven days once you've started to watch).

• You don't need to remember to come back to the website. No excuses for missing an episode of Â鶹¹ÙÍøÊ×Ò³Èë¿Ú One's The Apprentice or Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Four's The Killing! Once you've enabled Series Record, new episodes automatically download when available, meaning all your favourite programmes are available for offline viewing for 30 days.

• You can watch Â鶹¹ÙÍøÊ×Ò³Èë¿Ú programmes when offline. Very useful for those with limited bandwidth who struggle with streaming or who are on the move, but also useful when you're overseas** (if you download in the UK before leaving: my top holiday tip!)

• You can watch programmes in high quality, even if your broadband connection isn't fast enough to watch on the Web. If watching live or streaming in HD pushes the limits of your Internet connection, you can download in HD or the highest available quality and say goodbye to buffering or interruptions during playback.

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer desktop series record

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For more information about Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer Desktop, please take a look at the . Your feedback helps us develop features you love, so I'd love to hear your thoughts.

** In order to watch already downloaded programmes when abroad, you'll need to make sure you're not connected to the Internet.

Dave Price is Head of Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iPlayer, Programmes and On-Demand, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Future Media

Next steps in Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News blogging

On Wednesday of this week a post "Our next steps in News blogging" by Giles Wilson (features editor of the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News website) was published on the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú News Editors blog.

Extract:

For some time we've been frustrated that the contributions of our key editors feel like they are tucked away on the site - more number 13 court than Centre Court - and so one thing we decided to do was to start producing their blogs in our main production system. For the past six years they have been created in Movable Type, a specialist blog software, which is why the pages look different to our news pages. This shift promises us extra efficiency and flexibility, and we hope that it will make our top correspondents' analysis feel much more like an integral part of the website.

Just in case you missed it, you can read and comment here.

Nick Reynolds is Social Media Executive, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online

"Location, location, location": Radio 1 Big Weekend Check-In Experiment

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James Simcock | 06:39 UK time, Wednesday, 11 May 2011

Within Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Audio & Music Interactive, we've put a lot of effort into repurposing content and services originally created for desktop websites to make them fit for use on a mobile device.

Whilst this work provides for relatively engaging mobile sites, it misses a few of those things that make mobile such a buzz-word right now.

It's the contextual differences that potentially add something more interesting than a streamlined version of a website. Location-awareness is one of those differences.

When a user is 'mobile', i.e. on the move or out and about, offering services tailored to their current location can be a great way of aiding usability by filtering out unnecessary content and showing things that should be relevant in that time and space. It can also save some time and fiddly effort entering postcodes or addresses (predictive text doesn't tend to like postcodes!).

How does this fit with the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú's radio services you may ask? Well it fits in many ways. We've served localised radio to our audiences via FM for many years, not to mention traffic and travel news tailored to your location. It makes perfect sense that we look to do this with our online services too.

By way of a trial, we looked at the uses of location most popular with mobile audiences right now, noting the numerous 'check-in' services that are really driving use. It may seem a little ego-centric to tell all your social-media contacts that you are somewhere special, but there is a level of kudos to be gained, ("look where I am!") and it can also be a very useful way to quickly find other friends who might be in the same place, without having to contact each one directly.

There are a number of such services available on most of the latest smartphones, including , , & - all being used in a similar way; "I just checked in to (insert place here)". By way of an experiment therefore, we decided to see if we could make such a service possible using web-browser functions - bypassing the need for users to download and install an application, which can be prohibitively expensive to develop, and not ideal for something that only exists for a short time.

The Radio 1 Big Weekend offered the perfect opportunity to try this. We know the line-up in detail, and where each stage is located, and we know the audience has an appetite for 'sharing their pride' via social networks. Some research was conducted to see which platform would reach the most users, and somewhat unsurprisingly Facebook was in the top slot.

Working together with Facebook, we managed to find an approach that would work via the browser for a large number of the latest smartphones (iPhones and Android devices primarily, more will support this type of function in the very near future). Being something very new for the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú, we invited a few external mobile experts to tender for the build, eventually selecting to assist with the technical execution of this experiment.

Here's a quote from Client Services Director at Future Platforms, Sergio Falletti:

We built the Check In product as an HTML5 web app because it gave us the best compromise between the flexibility and client-side functionality. Given the project's timescales and experimental nature, iterating native apps for iPhone and Android would have been too inflexible and time consuming - HTML5 allowed us to target both platforms with the same code-base... We however needed access to client-side APIs for location lookups and to integrate with Facebook's services. The former is well supported in HTML5. The latter (Facebook integration) could have been handled server-side, but performance and data security considerations make client-side processing preferable."

Along the way we've encountered quite a few challenges, not least the data security considerations that Sergio mentions, but also around the technical limitations of the check-in process. As we wanted users to be able to check-in not to the location as such, but the artist currently playing on a specific stage at the event, we needed to find a way to change the 'place' that the user would check into each time the artist on stage changed. This could mean that the user would be checking in repeatedly to the same physical place, but there would be no point adding a status update to their newsfeed saying "I'm here", "I'm here again", "I'm here again".

radio 1 big weekend mobile check in

The way we got around this problem was to have the user check into a URL rather than a physical location. We assign a location to each URL, but have a separate URL for each band/artist that could be performing. This requires some active management of the 'places' throughout the day, so Future Platforms also created a simple web-based interface for us to create/edit those places during the event. Best intentions aside, we can never guarantee that an artist won't change their time slot or not show for some reason - so this flexibility had to be built into the system.

We also had to deal with the graphical challenges of presenting the title 'CHECKIN' without people reading it as 'CHICKEN'. Cue chicken jokes... Why did the Chicken cross the road? To check-in to his favourite artist at the Big Weekend of course!

chicken logo from radio 1 big weekend

Then there's the site itself. We were very pleased to note that several of the mobile network operators have added extra cell-masts to the area to improve mobile reception.

Although that should mean users can access mobile websites no problem, those cell-masts, being temporary, may not have location-information assigned to them, meaning that it might be necessary for users to turn on their device's GPS to accurately locate them. We'll have to wait and see how that works - there's a reason we wanted to experiment with this before considering such services as core to the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú's mobile offerings.

We hope that a lot of folks in the audience at Radio 1's Big Weekend will try the service, quickly and easily showing their loyalty to their favourite artists to their Facebook friends, sharing links to the wealth of artist and event info on the corresponding desktop and mobile websites and generally spreading the love. Whether they do or not, we'll be monitoring the amount of activity around each stage and reporting back our findings to the rest of the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú.

If you'd like to see more of this kind of thing, and you're heading to Carlisle for the Big Weekend, then don't forget your smartphone - the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú needs you!

Richard Morland also talks about creating the Radio1 Big Weekend Check In project.

James Simcock is Executive Producer, Mobile, Audio & Music Interactive

N.B. This post was initially published under the wrong name. This was entirely due to my error. My apologies to James, Richard Morland and readers.

What's On Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Red Button 10th - 23rd May 2011

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Lisa Dawson Lisa Dawson | 18:10 UK time, Monday, 9 May 2011

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Red Button Blog

Radio 1 Big Weekend

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Radio 1's Big Weekend on 14th & 15th May is the first major British music festival of the year and always attracts big UK and worldwide artists. So if you want to see the new names who'll dominate the summer's festivals, this is the place.

The Red Button viewers will be able to watch all the bands with coverage from this year's main and In New Music We Trust stages from Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Radio 1's Big Weekend in Carlisle. There will also be live coverage from Carlisle all this week in the lead up - with the Chris Moyles & Greg James shows.

You will be able to keep up to date with all the weekend's festivities on: Radio 1, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Three on TV, on Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Red Button and live on the Radio 1 Big Weekend website.

Sky/ Freesat/ Virgin Media:
Sat 14th May, 4:00pm-2:00am
Sun 15th May, 4:00pm-2:00am

Freeview:
Sat 14th May, 4:00pm-7:50pm & 11:25pm-2:00am
Sun 15th May, 4:00pm-2:00am

Watch the Highlights

Press Red everyday to watch highlights from Radio 1's Big Weekend, featuring a top performance everyday.

Mon 16th - Fri 20th May, 6:00am-4:00am (daily)

Freeview:
Mon 16th May, 6:00am-6:00am
Tue 17th May, 6:00am-6:00am
Wed 18th May, 6:00am-8:15pm
Thu 19th May, 12:30am-9:45pm & 11:10pm-6:00am
Fri 20th May, 6:00am-8:45am & 2:45pm-4:00am

Read the rest of this entry

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iD closed for maintenance from 8.45 on Tuesday 10th May

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Richard Northover Richard Northover | 13:00 UK time, Monday, 9 May 2011

We're in the process of making some important changes to , to get it ready for the increased activity it will need to handle during 2012 and beyond.

As part of this work, we need to switch the system off for around two hours starting at 8.45am on Tuesday 10th May. This means that, along with sign in and registration, commenting and other features that rely on Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iD will be briefly unavailable.

We only perform maintenance like this when it's really necessary, and we're working on ways to reduce the impact of upcoming work. Thanks, and - at the risk of sounding like one of those automated computer voices at a train station - apologies for the inconvenience.

Richard Northover is Product Manager, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú iD, OTG Frameworks, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Future Media

"I'm here now!": Â鶹¹ÙÍøÊ×Ò³Èë¿Ú's first location based service experiment for the Radio 1's Big Weekend

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Nick Reynolds Nick Reynolds | 19:23 UK time, Friday, 6 May 2011

Radio 1 are conducting an interesting experiment involving Facebook and mobiles around Radio 1's Big Weekend.

On the Radio blog Richard Morland explains:

...The prototypes database tells us how many people have checked into a performance and how many times they have checked in but the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú does not hold any users' personal data. The system is completely anonymous, so while we can visualise the numbers of users we're unable to tell who they are. We also signpost that users can amend Facebook privacy settings to decide how and with whom they share this information. As Radio 1's Big Weekend is a ticketed event, we felt that this would be the perfect choice for an experiment of this kind as it reduce concerns of the audience sharing where they are. We also felt that this was a great opportunity to raise awareness with our audience of location privacy. The way we are doing this is to promote how to stay safe on-line as well as providing top tips for anyone using location based services.

I hoping for a follow up post with more technical detail on the Internet blog soon, but in the meantime you can read more and comment at the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Radio blog.

Nick Reynolds is Social Media Executive, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Online

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