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Sir Simon Rattle brings his Berlin Philharmonic to the Proms for two concerts, the first falling on the day the festival commemorates the towering genius that was the late Pierre Boulez.

Here Boulez鈥檚 kaleidoscopic 脡肠濒补迟 forms a prelude to perhaps Gustav Mahler鈥檚 most radical symphony, a work in which his musical imagination stormed new territories in its fierce harmonies and wild scoring.
In the symphony鈥檚 celebrated 鈥楴ight Music鈥� serenades 鈥� eerie yet strangely calming nocturnes for orchestra, one hinging on a gently strumming guitar and mandolin 鈥� Mahler appears to look to a realm far beyond his own.

There will be no interval