With luscious shifting harmonies and the rhythmic vitality characteristic of his later style, Rachmaninov鈥檚 final complete composition, his Symphonic Dances, uses motifs derived from Russian Church music alongside quotes from his own first symphony, creating a stirring mix of nostalgia versus the big city bustle and driving energy of 鈥楳odern America鈥�.
From the unmistakeable introduction to the original quality of its writing, it鈥檚 easy to understand why Grieg鈥檚 Piano Concerto is considered such a masterpiece; with a dazzling layer of virtuosity and a solid Norwegian identity, the composer鈥檚 strong affinity with folk songs is evident in both this and the Holberg Suite.
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Pre-concert talk with Professor Stephen Walsh (6.30pm - Level 1)
