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Conductor Thomas Dausgaard introduces Bruckner's Ninth Symphony.

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú SSO Conductor Emeritus Sir Donald Runnicles talks about working with the orchestra.

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú SSO Principal Guest Conductor Ilan Volkov discusses his time with the orchestra

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú SSO Artist in Association Matthias Pintscher on working with the orchestra

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú SSO chief conductor on working with the orchestra

Â鶹¹ÙÍøÊ×Ò³Èë¿Ú SSO & Big Noise: Stravinsky - The Firebird

The Southbank Centre's Head of Classical Music Gillian Moore discuss Sibelius's Finlandia.

Performance and interviews from the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony Orchestra's Beethoven Five Alive! workshop in Dundee Caird Hall.

Andrew Manze and the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony Orchestra play Rossini's William Tell Overture.

Andrew Manze and the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony show how the British composer Gustav Holst used music to paint a picture of anger and war in his piece Mars, from The Planets.

Andrew Manze conducts the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú SSO in the Sunrise from Strauss's Also Sprach Zarathustra.

Andrew Manze conducts the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony Orchestra in part of the most famous symphony by Beethoven, his Fifth Symphony. He shows how Beethoven used the music from the first bar of the piece as a building block to create a whole musical symphony, like fitting together musical bricks.

Andrew Manze introduces more instruments of the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony Orchestra. He shows how Mozart used a melody of only 4 notes to finish his great piece, Jupiter Symphony.

Andrew Manze looks at how a composer from 300 years ago paints a picture using music. Here the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony Orchestra paints a picture of how it feels to be cold: from Vivaldi’s piece The Four Seasons.

Andrew Manze looks at how a composer from 300 years ago painted pictures using music. Here the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony Orchestra paints a picture of sleep: from Vivaldi’s piece The Four Seasons.

Andrew Manze introduces the instruments of the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony Orchestra, and they play variations on a theme by the American composer Aaron Copland.

Andrew Manze looks at how a composer from 300 years ago painted pictures using music. Here the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony Orchestra paints a picture of a storm: from Vivaldi’s piece The Four Seasons.

Andrew Manze and the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony show how the British composer Gustav Holst used music to paint a picture of happiness and joy in his piece Jupiter, from The Planets.

Andrew Manze and the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony show how the British composer Gustav Holst used music to paint a picture of calm and peace in his piece Venus, from The Planets.

Andrew Manze shows how the earliest orchestras were made of just 4 people. He and members of the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony Orchestra perform a dance written by the British composer Henry Purcell in 1695.

Conductor Donald Runnicles explains his interpretation of Der Rosenkavalier, by Strauss.

The Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony Orchestra performs Prokofiev's Piano Concerto No.1.

Interview with Â鶹¹ÙÍøÊ×Ò³Èë¿Ú SSO chief conductor Donald Runnicles about Richard Strauss's Four Last Songs ahead of its performance in Aberdeen on 29 September and Edinburgh on 2 October.

Exclusive interview with James MacMillan about his version of the St John Passion ahead of its Scottish Premiere at City Halls on 29 September.

The Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Scottish Symphony Orchestra play Mahler's Symphony No. 3 in D minor at the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Proms, 2011.

RSAMD student Rachel Spencer (violin) performs Sibelius' Violin Concerto with the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú SSO as part of a concerto performance.

RSAMD student Graeme Brown (bassoon) performs Villa Lobos's Ciranda das Sete Notas with the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú SSO as part of a concerto performance.

RSAMD student Glynn Forrest (marimba) performs Rory Boyle's Marimba Concerto with the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú SSO as part of a concerto performance.

RSAMD student Jonathan Wettermark performs Larsson's Concertino with the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú SSO as part of a concerto performance.

The Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Singers and members discuss performing Haydn's The Creation.