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Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Vision launches new multiplatform strategy
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Simon Nelson, Controller of Portfolio & Multimedia, has announced a new strategy for multiplatform commissioning, content creation and delivery across Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Vision.
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Speaking at an in-house Multiplatform Day for programme-makers from the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú and the independent sector, Simon Nelson stressed the role of multiplatform – web, red button and mobile platforms – in delivering the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú's public purposes in the digital age:
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"It's too easy to dismiss the multiplatform opportunity as simply getting our programmes onto new devices or creating websites alongside programmes.
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"The lack of a commercial imperative and the privilege of licence fee funding oblige [the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú] to drive innovation and break new ground in attempting to serve all audiences in the UK ... We will be able to liberate our content from the limitations of the live linear schedule...
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"We can use the two-way nature of new media platforms to transform our relationship with licence fee payer ... collaborat[ing] with audiences in the creation of content and participative experiences."
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Key elements of the new multiplatform strategy are:
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- An ambition to double investment in multiplatform, with an additional £30million in funding over the next three years, subject to the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú's reprioritisation plans
- A new architecture for Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Vision on the web:
- for the first time, every television programme will have its own website with web support provided at three prioritised levels: Basic (created automatically), Enhanced (for 50+ programmes a year) and 360 (rich content for 15+ programmes a year);
- a new suite of user tools for rating and sharing content;
- improved search and navigation for users.
- A new, simpler commissioning process for multiplatform initiatives with a single point of commission (ie one genre commissioner for both TV and multiplatform elements), and one commissioning route via a standard e-commissioning system.
- New, ring-fenced investment for mobile commissioning in three areas: Mobile television (clips and broadcast TV), social media, and location specific initiatives.
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Simon Nelson also announced a year-long communication campaign to share audience research, market knowledge and Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Vision's requirements in-house, across the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú, and with the wider independent sector.
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Jana Bennett, Director of Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Vision, commented: "Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Vision was created in part to place the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú at the heart of the multimedia landscape. We have a real advantage that's born out of our scale and the range of our talent and skills here.
I believe that together we can define this new creative space in terms of public service content and populate it with ideas that are distinctive and innovative."
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Note to Editors
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Full transcript of the speech.
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Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Vision is the biggest integrated multimedia broadcast and production group of its kind in the world. Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Vision (so called because it makes Â鶹¹ÙÍøÊ×Ò³Èë¿Ú content that people watch) is led by Jana Bennett, Director of Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Vision, and comprises Vision Studios led by Peter Salmon; Vision Operations led by Bal Samra; multiplatform commissioning; and the channels and services Â鶹¹ÙÍøÊ×Ò³Èë¿Ú One, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Two, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Three, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Four, Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Switch, CÂ鶹¹ÙÍøÊ×Ò³Èë¿Ú, CBeebies and Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Learning.
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Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Press Office
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