After Shakespeare
Texts and music inspired by Shakespeare, with readings by Rory Kinnear and Adjoa Andoh. With Eliot, Plath, Hardy and Joyce, plus music by Sibelius, Purcell and Barber.
Poetry, prose and music inspired by Shakespeare including words by T.S. Eliot, Michael Longley, Anna Akmatova, Sylvia Plath, James Joyce and Carol Ann Duffy and music by Sibelius, Frank Martin, Duke Ellington, Tchaikovsky, Michael Tippett and Loudon Wainwright III. The readers are Rory Kinnear and Adjoa Andoh.
Producer: Fiona McLean.
Last on
Music Played
Timings (where shown) are from the start of the programme in hours and minutes
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00:00
Henry Purcell
The Fairy Queen
Performer: The Sixteen conducted by Harry Christophers.- Collins SAAN 1668948.
- Tr1.
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Thomas Hardy
To Shakespeare after 300 Years read by Rory Kinnear
00:02Felix Mendelssohn
A Midsummer NightÂ’s Dream
Performer: Deutsches Symphonie-Orchester Berlin conducted by Vladimir Ashkenazy.- DECCA 4402962.
- Tr2.
Carol Ann Duffy
Anne Hathaway read by Adjoa Andoh
Carol Ann Duffy
Anne Hathaway read by Adjoa Andoh
00:07Erich Wolfgang Korngold
Much Ado About Nothing Suite op 11
Performer: Gil Shaham and André Previn.- Deutsche Grammophon 4398862.
- Tr9.
00:13Rufus Wainwright
When, in disgrace with fortune and menÂ’s eyes from When Love Speaks
Performer: Rufus Wainwright.- EMI CDC5573212.
- Tr9.
Michael Longley
Fleance read by Rory Kinnear
00:17Pyotr Tchaikovsky
OpheliaÂ’s First Scene from Hamlet op 67a
Performer: Ljuba Kazarnovskaya and Ljuba Orfenova.- NAXOS 8570438.
- Tr16.
Arthur Rimbaud
Ophelia read by Adjoa Andoh
00:20Frank Bridge
There is a Willow Grows Aslant a Brook
Performer: Â鶹¹ÙÍøÊ×Ò³Èë¿Ú National Orchestra of Wales conducted by Richard Hickox.- CHANDOS CHAN101112.
- Tr4.
T.S. Eliot
from The Waste Land read by Rory Kinnear
00:31Roger Quilter
How Should I Your True Love Know from Love Blows as the Wind Blows
Performer: Jonathan Lemalu.- EMI 5580502.
- Tr3.
Boris Pasternak translated by Mark Rudman
English Lessons read by Adjoa Andoh
00:34Matthew Harris
Hark! Hark! The Lark from ‘Shakespearean Songs’
Performer: Robert Comeaux and the Phoenix Bach Choir conducted by Charles Bruffy.- CHANDOS CHSA5031.
- Tr1.
00:35Duke Ellington and Billy Strayhorn
Sonnet for Caesar from Such Sweet Thunder
Performer: Duke Ellington and His Orchestra.- COLUMBIA CK65568.
- Tr2.
Anna Akmatova translated by D.M. Thomas
Cleopatra read by Adjoa Andoh
00:39Samuel Barber
On the Death of Cleopatra
Performer: Cambridge University Chamber Choir conducted by Timothy Brown.- GAMUT GAMCD535.
- Tr9.
Carol Ann Duffy
Shakespeare read by Rory Kinnear
00:43William Walton
Touch her Soft Lips and Part from Henry V
Performer: Bournemouth Symphony Orchestra conducted by Richard Hickox.- CHANDOS CHAN24112.
- Tr9.
00:44Loudon Wainwright III
Prince HalÂ’s Dirge from The Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Sessions
Performer: Loudon Wainwright III.- STRANGE FRUIT SFRSCD073.
- Tr6.
00:48Henry Purcell
The Fairy Queen
Performer: The Sixteen with Michael Chance conducted by Harry Christopher.- Collins SAAN 1668948.
- Tr16.
Margaret Atwood
Gertrude Talks Back read by Adjoa Andoh
00:52Sergey Prokofiev
The Young Juliet from Romeo and Juliet
Performer: Royal Philharmonic Orchestra conducted by Vladimir Ashkenazy.- DECCA 4360782.
- Tr10.
00:55Leonard Bernstein
Maria
Performer: Jimmy Bryant.- SONY SMK48211.
- Tr6.
00:57Claude Debussy
Le Sommeil de Lear from Musiques pour Le Roi Lear
Performer: Orchestre National de LÂ’O.R.T.F. conducted by Jean Martinon.- EMI CDM7695872.
- Tr11.
Matthew Arnold
Shakespeare read by Rory Kinnear
01:00Michael Tippett
Songs for Ariel from Songs to Shakespeare
Performer: Anthony Rolfe Johnson and Graham Johnson.- HYPERION CDA66480.
- Tr22.
Sylvia Plath
Full Fathom Five read by Adjoa Andoh
01:05Frank Martin
Full Fathom Five from Songs of Ariel
Performer: Jacob W. Herbert and the Phoenix Bach Choir conducted by Charles Bruffy.- CHANDOS CHSA5031.
- Tr9.
01:08Jean Sibelius
Berceuse and ArielÂ’s Song from The Tempest
Performer: Academy of St Martin in the Fields conducted by Neville Marriner.- HANNSLER CLASSIC CD98353.
- Tr8.
James Joyce
from Ulysses read by Rory Kinnear
Producer's Note
This week’s programme features words and music inspired by Shakespeare as part of Radio 3’s celebration of the playwright’s birth.Ìý
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The readers are Rory Kinnear and Anjoa Andoh. Rory has recently finished his very successful run at the National Theatre where he played Iago to Adrian Lester’s Othello, a role for which he has just won an Olivier Award, four years after his award winning role as Hamlet, also at the National. Anjo’s most recent Shakespearean role was Portia in the RSC’s World Shakespeare Festival production.
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We begin with Purcell's Prelude to ‘The Fairy Queen’, his 1691 opera inspired by Shakespeare’s ‘A Midsummer Night’s Dream’ heard with the opening of Thomas Hardy’s poem written to celebrate the 300th anniversary of Shakespeare’s birth. In the poem he describes Shakespeare as ‘Bright baffling soul, least capturable of themes’ and Hardy’s work contains many Shakespearean echoes. In ‘Tess of the D’Urbervilles’ Tess is seen as ‘one character alone in the landscape’ reminding the reader of King Lear. The character of Michael Henchard in ‘The Mayor of Casterbridge’ also resembles Lear in the disaster that befalls him after an impetuous decision.Ìý
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Carol Ann Duffy’s ‘Anne Hathaway’ from her collection ‘The World’s Wife’ was inspired by Shakespeare’s will which bequeathed to his wife ‘my second best bed’. And, later in the programme, you’ll also hear Rory Kinnear read Carol Ann Duffy’s poem, ‘Shakespeare’, commissioned by the Royal Shakespeare Company.
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Two Wainwrights, father and son Loudon and Rufus, appear in the programme. Rufus Wainwright sings his own setting of Shakespeare’s sonnet ‘ When in disgrace with fortune in men’s eyes’ and Loudon Wainwright III sings his musical reimagining of Prince Hal’s dissolute life with Falstaff in the London taverns.
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Michael Longley’s mysterious poem ‘Fleance’, inspired by the character from ‘Macbeth’, can be read as an exploration of the Troubles in Northern Ireland. Here, Fleance escapes his father’s fate by hiding under the stage in a production of the play: life and art are intertwined as a paramilitary’s bullet kills Banquo instead of Shakespeare’s dagger.
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The final sequence is a selection of musical and poetic reworkings of Shakespeare’s ‘The Tempest’. Tippett’s ‘Come unto these yellow sands’ from his ‘Songs for Ariel’ and Frank Martin’s ‘Full Fathom Five’ are heard alongside Sylvia Plath’s ‘Full Fathom Five’ and a passage from James Joyce’s novel ‘Ulysses’ in which Stephen Dedalus, often seen as Joyce’s Hamlet, walks along the shore where the rhythm of the waves returns him to memories of a drowned man in the bay. His language, never far from Shakespeare, echoes Ariel’s Song. Thisinterior monologue is heard alongside the Berceuse and Ariel’s Song from Sibelius’ ‘The Tempest’. As a reviewer at the time wrote, ‘Shakespeare and Sibelius, these two geniuses, have finally found one another’.
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Broadcasts
- Sun 27 Apr 2014 17:30Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Radio 3
- New Year's Day 2015 16:30Â鶹¹ÙÍøÊ×Ò³Èë¿Ú Radio 3
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