麻豆官网首页入口

Charles Baudelaire, the great flaneur and dandy in black, who scandalised 19th-century Paris, is the subject of this enquiry by poet, novelist and feminist Mich猫le Roberts. Being half French herself and a long time reader of Baudelaire鈥檚 opulent, often disquieting poetry, Mich猫le re-assesses his reputation 200 years after his birth.

"Get drunk! Stay drunk! On wine, virtue, poetry, whatever!"

Perhaps Baudelaire, the enfant terrible of French literature, is being read differently in France today, in the age of #metoo and its French equivalent #balancetonporc. Perhaps the question is even being asked: should feminists read Baudelaire? Is he, as #balancetonporc might say, a 鈥榮wine鈥�? Should his work continue to be revered purely as the transcendent product of genius or should it be understood as rooted in a particular cultural moment, gendered by a particular cultural attitude? Even as we celebrate his birthday, do we notice his position in the canon wobbling a bit?

The programme brings together those who have been inspired by Baudelaire including poet John Cooper Clarke, the self-styled 鈥楤argain Basement Baudelaire鈥�, American poet Kim Addonizio and Norwegian musician Susanna, who uses his decadent verse, his struggle with debauchery and goodness, as the lyrical backbone of her recent album.

We also hear from French journalist Muriel Zagha and publisher Cecille Lee, and from two of the most inspired Baudelaire academics, Professors Helen Abbot and Maria Scott 鈥� ready to expose the poet to the fiercest of feminist critiques.

鈥� Let us beware of common folk, of common sense, of sentiment, of inspiration, and of the obvious.鈥�

Presented By Mich猫le Roberts
Produced by Sara Jane Hall
A Just Radio production for 麻豆官网首页入口 Radio 3.

Music including the premiere of
Une Charogne - by Cheryl Frances-Hoad (composer)
Jess Dandy (contralto) Sholto Kynoch (piano)

Also, Baudelaire and Piano - by Susanna