‘Time is the enemy’ for actor playing Richard III
Michael Patrick on winning an award for playing Richard III as a king with motor neurone disease.
Actor Michael Patrick has just picked up an award for his unique portrayal of Shakespeare’s Richard III, which gives the play a fresh twist inspired by his own experience of living with motor neurone disease (MND).
Michael is no stranger to MND. His father died from the condition and his sister is also living with it, although drug trials for the siblings have given them more hope for the future.
Also on this episode, the charity Mencap says it fears for peoples lives after the NHS dropped annual health checks for people with learning disabilities from its priorities plan.
We speak with Mencap CEO, Jon Sparkes, as well as Nigel and Rahima about their experiences of the Health MOTs.
And we meet Japan’s Nobuyuki Tsujii, a blind pianist who’s played at concert venues around the world including the Sydney Opera House.
Presented by: Emma Tracey
Produced by: Daniel Gordon, Alex Collins and George Sharpe
Sound recording and design by: Dave O’Neill
Editors: Beth Rose and Ben Mundy
Featured
-
.
Transcript
4th February 2025
bbc.co.uk/accessall
Access All – episode 145
Presented by Emma Tracey
EMMA- I am honoured to be speaking to Nobuyuki Tsujii. Nobu, as he’s affectionately known, is a fabulously talented and hugely successful professional pianist from Japan. He’s blind from birth, and he has played in the most famous classical concert venues, including the Carnegie Hall and Sydney Opera House, and he’s soon to play the Queen Elizabeth Hall at London’s Southbank Centre. Let’s meet Nobu. Hi, Nobu, how are you today?
NOBU- I am fine, thank you.
EMMA- Oh, thank you for the English, I really appreciate it, because Nobu is mostly going to speak to us through a translator today. You’re really welcome to Access All, Nobu. Can I start by asking you, how did you start to learn the piano? Was it difficult to find teachers?
[Speaking through a translator]
NOBU- I started learning properly from when I was 4 years old, and my mother found a teacher. Went straight into the pieces that what I wanted to learn, but through playing those pieces I learned some of the basic skills and techniques.
EMMA- Now you’re a very famous concert pianist and the pieces that you play are long and difficult often, how do you go about learning those now?
NOBU- Around until when I was primary school, I used to use the braille musical scores. But there is some music available, some pieces are not available, and also it took too much time to learn from music scores, so nowadays I have an assistant who can record each hand separately to learn and listen, and also they can explain what’s written on the score to me.
EMMA- Do you learn each hand separately and then put them together?
NOBU- Yes. I learn the whole thing by each hand separately and then put both hands together.
EMMA- That’s fascinating actually. Does it take longer to learn for you than a similar pianist who can see?
NOBU- He never thought about it! But also it depends on the pieces, how long those pieces: if it’s short pieces, it’s easier to remember; but if it’s long and complicated, it takes two or three weeks to remember the actual piece. So it’s really depending on the pieces.
EMMA- That does sound very speedy, three weeks to learn a whole long difficult piece. How about when you’re playing with an orchestra, how do you connect with the conductor and the other players when you can’t see the conductor’s arm movements?
NOBU- I can feel and hear his breathing, or grasp the feeling of the orchestra, and try to understand each other and feeling each other. If you continue repeating the performances, then we get to know each other even more.
EMMA- Thanks, Nobu, that was really, really interesting.
NOBU- Thank you very much.
EMMA- On with the show.
MUSIC- Theme music.
EMMA- Hello, I’m Emma Tracey and this is Access All, the disability and mental health podcast from 鶹ҳ News, and we are a podcast fully committed to diversity and inclusion. If you want to get in touch with us, we’re on the socials @鶹ҳAccessAll on Insta and X, and you can email accessall@bbc.co.uk. I absolutely love to hear from you.
Later in this episode, I’ll be speaking to Michael Patrick whose award winning adaptation of Richard III draws on Michael’s experience of having motor neurone disease.
But first, the charity Mencap has said that it fears for the lives of people with learning disabilities after NHS England dropped several targets relating to the community from its annual priorities plan. A target to ensure that 75% of people with learning disabilities get an annual health MOT, and a goal to add the community to a specialist GP register, have failed to make it in to the 2025-2026 priority guidance. The charity fears that these changes could lead to failure to detect cancer and other serious health conditions. And that’s in a community where people already die up to 23 years earlier than the general population, and where 42% of those deaths are preventable. We’ll speak to a couple of people affected in a moment. But first, Jon Sparkes is the CEO of Mencap, and his charity is leading the campaign against the removal of these targets. Hi, Jon, and welcome to Access All.
JON- Hi, Emma.
EMMA- Jon, it’s an interesting time. Can you tell me what is the annual health MOT and why it’s so important?
JON- It’s literally what it says on the tin, it’s an annual health check. It’s really important because accessing the health system can be difficult at the best of times. If you have a learning disability and you’re trying to make an appointment or you’re trying to get a reasonable adjustment to have a longer appointment or something like that, it can be quite difficult to access. And of course, if you’re not accessing the health system in a timely way, then you’re missing out on early diagnosis. So by having an annual health check, it makes sure that people who would otherwise miss out on early diagnosis, don’t do. And that’s why it’s so important, and that’s why this is such a serious issue for us and for people with a learning disability.
If I give you one example, and it’s a pretty stark example, but if you look at things like screening rates for cervical cancer, people with a learning disability are half as likely to have the screening in a timely way as the general population.
EMMA- And why is the engagement with cervical cancer screening so low amongst women with learning disabilities?
JON- Mostly I think it’s to do with the fact that people aren’t easily accessing the health system. If the information you read about screening isn’t an easy read and is not understandable, then that’s a barrier. If you’re calling for an appointment and the receptionist is frustrated because they can’t really understand what you’re saying, that’s a barrier. If you need a bit longer with a GP than the standard few minutes to have your appointment to be able to explain what your symptoms are and communicate effectively with the doctor, that’s another barrier. Every time there’s one of these barriers, that’s less people who are getting early diagnosis of all sorts of illnesses.
EMMA- One person who has historically found the annual health MOT’s really useful, is Rahima. Rahima has a learning disability, she’s got cerebral palsy, and she speaks through a very cool Eyegaze speaking device. And her sister, Ferdus, is here to support her. Hi, Rahima, and hi, Ferdus.
RAHIMA- How are you? Hi. Thank you for letting me be on your show today. How are you?
EMMA- The pleasure is all mine. And I’m really well, thank you. Rahima, you have had annual health checks before with your GP. What is it about them that works so well for you?
RAHIMA- I have a good relationship with my GP as he has known me for many years. This means that I don’t have to repeat myself, which gets very tiring. I have routine appointments with him, and it helps because you know that there will always be someone that checks in. Finding out that there’s going to be cuts to this is upsetting, because it’s hard to get appointments as they are making it harder and harder to access healthcare, which isn’t fair because we already struggle with accessing a system that hasn’t been able to adapt to those with learning disabilities and other healthcare needs.
EMMA- I think it’s really good that you’ve got a good relationship with your GP. But you have also had bad experiences in the NHS, Rahima, haven’t you, like that time when you went in to hospital for a chest infection?
RAHIMA- During COVID a doctor was speaking to my sister and I was awakened. He told her that she should contemplate letting me go because of my quality of life. This was so upsetting to hear. I was there because of my health condition and infection. It felt like they had just given up on me. Also, the fact that he didn’t respect me enough to speak to me or involve me, felt like I was not a person but a thing.
EMMA- That sounds incredibly upsetting for both of you at the time, my goodness me. What do you think could be done better in the NHS to help people like you who have a learning disability?
RAHIMA- More communication between nurses and doctors so everyone is on the same page and understanding. Directly involve me in decisions and discussions regarding my care. Be familiar with my hospital passport. This had everything that they struggled with understanding. For example, how to communicate with me was in there.
EMMA- Rahima, is it okay to ask your sister what the passport is?
RAHIMA- Yes.
EMMA- Thank you. Ferdus, what does Rahima mean by the passport?
FERDUS- So, a hospital passport, it’s not a legal document, it’s not legally binding. But what it is, it’s an overview of their health conditions, and basically everyone that’s involved in their care, so all health professionals, so like a speech and language therapist, their contact details, where to find them, social workers, things like that. Then it also has things that they dislike, that they do like, how to communicate with them, what to do if they’re distressed. It’s a guide on how to manage their care better.
EMMA- And Rahima, what advice would you have for other people with a learning disability who are worried about their health?
RAHIMA- Update your hospital passport regularly and carry it with you everywhere to your appointments. Make a list of issues you have in writing and what you would like to happen before you attend appointments. Ask for contact details for people you can follow it up with.
EMMA- That’s great advice. Thank you so much for sharing your experience with us, and I’m sorry that you’ve had such a hard time in the past, and I hope that you do continue to be able to have those annual health checks, Rahima.
RAHIMA- Thank you.
EMMA- Nigel, you’re here with me to tell me your story. And Nigel, you have a learning disability and you were diagnosed with bowel cancer nearly five years ago is it now?
NIGEL- That’s correct.
EMMA- And how are you doing today?
NIGEL- Excellent. Excellent.
EMMA- Oh, so are you cancer free just now then?
NIGEL- Yes. I was clear.
EMMA- They said you were clear, oh that’s fantastic.
NIGEL- Thank you.
EMMA- Do you have an annual health check?
NIGEL- I do, once a year.
EMMA- What’s it like going for your annual health check?
NIGEL- For me, having an annual health check is brilliant, because I see the nurse for the first part for blood, water taking and all that lot, then I see the doctor afterwards.
EMMA- And do they give you enough time in the health checks?
NIGEL- Yes, they do. It’s absolutely brilliant.
EMMA- And do they explain everything for you?
NIGEL- Yes.
EMMA- How was your cancer picked up, Nigel?
NIGEL- Well, I actually go for appointments and it was a camera test, and they said, “We want you to come back in a couple of minutes, we think we’ve found a problem,” and the problem was they found cancer. If it wasn’t for that, I wouldn’t have known.
EMMA- And why did you get the cameras, were you not feeling very well?
NIGEL- That was one of the health checks that I do.
EMMA- Do you think these annual health checks, especially for people with learning disabilities, are they different to other medical appointments that you have?
NIGEL- Annual health check to me is check what’s going on. Is it something new, or is it something old? Do you know what I mean by that?
EMMA- Yeah. So if it relates to something that’s already happening, that they already know about, or if it’s something that they need to worry about.
NIGEL- Everyone should have an annual health check.
EMMA- And Nigel, have you heard that they’ve dropped the target to get 75% of people with learning disabilities to have this health check from the NHS priorities? Did you know that?
NIGEL- I didn’t know that.
EMMA- They were only promising to give 75% of people with learning disabilities annual health checks, but now they haven’t made that promise this year. The health checks will still be there, but they haven’t made a promise to make sure they happen. What do you think about that?
NIGEL- They should promise and give a proper answer, because you may get people who do not understand what’s going on.
EMMA- Well, I’m glad you had yours, Nigel, and that they picked up your cancer and that you’re now cancer free, that’s fabulous. Thank you so much for speaking to me.
NIGEL- Thank you.
EMMA- The NHS, we often hear that it’s struggling, financially struggling to cope. The targets that have been laid out for this period are around decreasing A&E wait times, decreasing ambulance response times. Is there another way of making sure that these health checks happen, rather than relying on NHS to make sure that they do, and to make it their priority when there’s so much else going on?
JON- Yeah, I think that’s an important question. The MOT’s/annual health checks will still happen where local commissioners decide that they’re a priority, and where local GP surgeries decide that they’re a priority. Of course, flexibility means that someone might decide it’s not a priority. We’re going to be writing to all of the Integrated Care Boards anyway and asking them to continue with this. The importance of this is, we need support and training and communication at the level of the clinician, we need concerted effort at the local level through the Integrated Care Board, and we think we need concerted effort at a national level as well to make this priority. People with a learning disability die 23 years younger than the general population. But that has been improving. Since 2018, life expectancy for people with a learning disability has gone up by a year, so something’s working, and we think if something’s working don’t try and fix it.
EMMA- Jon Sparkes OBE, CEO of Mencap learning disability charity, thank you so much for speaking to me on Access All.
JON- Thank you, Emma.
EMMA- On its commitment to the healthcare of people with learning disabilities, NHS England told us:
MALE- Adults and young people aged 14 and over with a learning disability are still entitled to an annual health check to help manage long-term conditions and spot any health problems sooner, so they can get the treatment they need to stay well. The new NHS planning guidance makes it clear that all local services must still address health inequalities faced by people with learning disabilities.
EMMA- This story could impact quite a lot of people, so if that’s you, please do get in touch with us. You can email accessall@bbc.co.uk or you can send us a WhatsApp message, voice or text, to 0330 123 9480. Thank you to Rahima and Nigel, and to Jon Sparkes from Mencap as well.
NIGEL- Is that a wrap?
EMMA- That’s a wrap Nigel, you’re out.
NIGEL- Three, two, one, cut.
MUSIC- Music.
EMMA- My next guest was at a glitzy ceremony recently at the Royal Opera House to receive The Stage Judges’ Award for his unique take on Shakespeare’s Richard III. Now, we know that Richard III was disabled from early life due to scoliosis, but in Michael Patrick’s version he has a progressive condition, and that’s because the play was drawing on Michael’s experience of having motor neurone disease. The production also included multiple disabled actors and wheelchairs when it was staged at the Lyric Theatre in Belfast late last year. The judges from The Stage were clearly impressed, so let’s find out more about the play and the man behind it, Michael Patrick is here.
MICHAEL- How’s it going? I brought my award with me.
EMMA- Have you? Tell me, what does it look like?
MICHAEL- What is it, plexiglass, with a sort of blue background, and it says, “Michael Patrick, for the tragedy of Richard III.”
EMMA- Very nice. How proud are you of that? What was it like to win that award?
MICHAEL- Yeah, very proud, yeah. It was amazing. Not just for all the work that everyone put in to do the show, but also just to sort of celebrate theatre in Belfast as well, sometimes it gets a bit lost in the conversation from Dublin and London, so it was nice to have that celebrated, you know?
EMMA- Why did you decide to take on such a play and adapt it?
MICHAEL- I love Shakespeare, always have, and then I did some time at the Royal Shakespeare Company before COVID. Richard III is kind of the disabled role in the sort of western canon, and whenever I was diagnosed with MND, I put up a sort of jokey Facebook post saying that I have an authentic limp, because at the time I wasn’t in a wheelchair, I was just limping, if anyone wants to cast me as Tiny Tim or Richard III, please do. And Jimmy Fay from the Lyric in Belfast got in touch and was like, “Are you serious about this?” and I was like, “Yeah, I am now.” So then myself and my creative partner, OisínKearney, met up with Jimmy Fay, and he’s like, “If you have a take on Richard III we’d be happy to put it on at the Lyric.” So yeah, it was brilliant.
EMMA- Wow, no pressure! So, how did you go about adapting it then? What did you do to it?
MICHAEL- Well, we cut it down by a lot. Two reasons: 1) that it’s a very long play, it’s about four hours long, no-one wants to see four hours of any theatre; and 2) we didn’t have the budget for that many actors. So we were told we’d get nine actors, so just tried to streamline the plot as much as possible, if something didn’t make sense to us, we cut it.
EMMA- And then how did you change it to draw on your own experience of MND then?
MICHAEL- Well a lot of it was just in the presentation of it, so we didn’t change a lot of the lines, it was just sort of showing that Richard is getting progressively more sick as time goes on. It started off, I was in a manual wheelchair, then I moved to an electric wheelchair, and in the second half I was using an oxygen tank. Then at the very end Richard died. He’s supposed to be killed Henry VII in Battle of Bosworth, but we did it so that Henry had the sword to Richard’s throat, and then he walked away, and Richard died because he couldn’t breathe anymore. So it was the MND that got him in the end rather than the final blow from Henry.
So what we did was we tweaked it so the very final monologue we put together from different Shakespeare plays, which is about time being the enemy.
EMMA- An interesting ending from your perspective as someone with motor neurone disease is time your enemy, and like how much did that monologue represent your feelings?
MICHAEL- Oh, 100%. That was the part in the play where I pretty much cried every night. Yeah, it was the line, “make war upon this bloody tyrant time,” so sort of a call to people to say Richard didn’t have long left, he murdered everyone to become King, probably not the best use of his time. But anyone else out there, what are you going to do with your time that you have left?
EMMA- What impact does motor neurone disease have on your life these days then?
MICHAEL- My upper body’s kind of fine, but I am in a wheelchair at the minute and my legs don’t work at all, I can’t move them at all. They can’t even bear my weight if I’m using my arms. So it’s very awkward now getting in and out of wheelchairs, into bed, stuff like that, it’s a pain in the arse. And I’m feeling my lungs are going a wee bit as well, so it can be difficult to breathe when I’m lying flat on my back, so I have a mask that I wear in bed. It’s not great.
EMMA- Yeah. Other than the mask, how have you had to adapt your life then? Did you have to move house, what have you had to do?
MICHAEL- Very luckily, me and my wife live in a ground floor flat in Belfast so there’s no stairs or anything. But I did have to have a friend who’s a contractor come round and widen all the doorways, get rid of carpets, put in wooden floor, put in a ramp at the back door, stuff like that. And I’ve got a car now that’s fitted with hand controls, which is fun.
EMMA- As a disabled person now and someone with a progressive condition, what have you noticed about the world?
MICHAEL- It’s just that people don’t realise, people think places are accessible and they’re really not. I get told a lot, “Oh, there’s only one step,” and it’s like, “Well I can’t get up any steps so why are you saying it’s accessible when you’ve got a step?” Or a lot of times you go and there’s a disabled toilet somewhere, but they’re using it as storage almost so you can’t get in.
The annoying thing for me is getting about into Belfast. I have quite a good electric chair that I can sometimes get in and out to town quite quickly, but it’s taxis are a pain. Taxis aren’t great in Belfast at the best of times, but trying to get a disabled taxi’s even worse.
EMMA- How has having motor neurone disease changed your career and the directions it’s taken, etc?
MICHAEL- Definitely getting fewer auditions through. But then at the same time, things like Richard III wouldn’t have happened if I didn’t have MND, so it’s kind of helped my career in terms of that. In terms of writing, certainly there’s a USP I have now.
EMMA- But you were also already talking about health stuff really honestly in your writing. You did My Left Nut for 鶹ҳ Three, what was that about?
MICHAEL- My Left Nut, as the title suggests, was about my left nut. When I was a teenager I developed a large swelling in my testicle, and I didn’t tell anyone for a long time and thought it was cancer and all this. It turned out to be nothing, it turned out to be a hydrocele, which is just a collection of fluid and all they have to do is drain the fluid. We were as a one man play first and took it to Edinburgh and did well, and then adapted it for 鶹ҳ. But the thing was, that it started off as this is going to be a silly teenage comedy about balls, but it actually then became about how I never really processed my grief when my dad died, because my dad died of motor neurone disease in 1998.
EMMA- And how does that affect how you now deal with having motor neurone disease and how you live your life, having seen your dad die from it?
MICHAEL- It’s weird, because you kind of know what’s coming in a sense. But also dad’s was very quick, he was diagnosed in February and he died the following October, so within a year he had died after his diagnosis. The disease is more understood now: I’m on a drug trial in Dublin; there’s much more assistance in terms of wheelchairs and hoists and things.
EMMA- My Left Nut was about the grief of losing your dad, and your mum played a big role in that play and in that drama. Tell me about your mum’s part in all this.
MICHAEL- Yeah, she’s somebody. Well my mum, I don’t know how she does it. I don’t know how she manages to keep it all together seeing her husband die of motor neurone disease and then her son has it now too, and her daughter actually because my sister has it as well. So it’s all pretty horrible for my mum. But she’s there for us all the time, she’s amazing.
EMMA- That does sound just really difficult for your whole family.
MICHAEL- Yeah, it is very strange, you know? And my two other siblings could have it as well, they could have the gene, but no signs of anything yet. It’s basically a 50/50 chance.
EMMA- Can they find out if they want to?
MICHAEL- Yeah. My younger sister is finding out, but my younger brother doesn’t want to know, he’s just like, “If I start getting symptoms I’ll go, but right now I don’t want to get tested.”
EMMA- And an interesting relationship between you and your sister because her progression is different because of the drug trial as well, I guess?
MICHAEL- Yeah. Well, hopefully because of the drug trial, you know? It’s also people don’t know enough about the progression, it can be different where it starts, where it progresses to.
EMMA- Tell me a bit more about the drug trial.
MICHAEL- There is this woman in Dublin who’s like one of the top MND researchers in the world, Orla Hardiman is her name. She’s unbelievable. Within a few weeks I was down visiting her, and she has so many different drug trials on the go that she was like, “We’re going to test you for your gene, because the gene related drugs seem to be more promising that non-gene related drugs.” So then I got my gene, and it turns out my family are the only family in Ireland with this gene. Coincidentally, this was the gene that Orla Hardiman’s team had a drug for, so she was all excited, she was like, “Finally I have someone to give this drug to.”
EMMA- What are gene related drugs? What does that mean?
MICHAEL- It means it’s a drug that specifically targets the faulty gene I have that causes MND. Rather than certain drugs which are just trying to treat the symptoms of MND, this sort goes in and tries to fix the faulty gene. It’s a spinal injection I get every three months, I get a lumbar puncture.
EMMA- That sounds really painful.
MICHAEL- It’s not great, but sure it’s better than dying of motor neurone disease!
EMMA- And you’re writing something about being a man in his 30s with motor neurone disease, so drawing from your own experience again.
MICHAEL- Yeah. It’s about a man in his 30s who gets MND. But it’s definitely a comedy, because so much stuff has happened to me that I’m like, “You have to put this, it’s so funny, it’s so weird.”
EMMA- Like what?
MICHAEL- Like some people haven’t heard of MND and you’re really psyching yourself up, you go, “Right, so I’ve got motor neurone disease,” and they go, “Ah right, what’s that then?” and you have to try and explain to them, “It’s a terminal illness,” “Ah right. Ooh, I probably should have reacted a bit more when you told me that,” I’m like, “Yeah, you probably should have.”
EMMA- Michael Patrick, it’s been an absolute pleasure to talk to you.
MICHAEL- Likewise. Thanks so much.
EMMA- And also let us know how you get on in your drug trial as well.
MICHAEL- Absolutely. Thanks so much for chatting to me, it’s very nice.
MUSIC- Music.
EMMA- That is just about it for this episode. Thanks to the guests, and thanks to you for listening. And tell me about what’s going on in your world, is there something that we should be investigating in relation to disability and mental health? Do get in touch. You can find us on social media, we’re on Instagram and X @鶹ҳAccessAll, our email is accessall@bbc.co.uk, and our WhatsApp is 0330 123 9480, just put the word “Access” before your message so that we can find it more easily. And if you haven’t already, please do hit that big subscribe button on 鶹ҳ Sounds and you will get Access All onto your device every week without doing a thing. See you next time, bye.
[Trailer for Newscast]
CHRIS- You know when you’re worried about something, but then you talk to your friend who knows more about the subject than you do, and straightaway you start to feel better? That’s what we try and do every day on Newscast.
MALE- Now, they’re saying that that would be simple to do, it would give everyone certainty.
CHRIS- We talk to people who are in the news:
FEMALE- You were chasing me round with a plate of cheese.
CHRIS- We talk to people who know what’s going on in the news:
MALE- At least I didn’t get up and slap anybody.
CHRIS- We talk to people who understand what the news means:
MALE- I think that he’s decided he’s going to listen, and then he might just intervene.
CHRIS- And we talk to the best 鶹ҳ journalists, asking the most important questions:
CHRIS- What’s wrong with chinos? You don’t want everybody wearing chinos?
FEMALE- Don’t start me, Chris.
CHRIS- That’s Newscast from 鶹ҳ News, the podcast that knows a lot of people who know a lot about the news.
FEMALE- And I was like, “Go on Kay, put some more welly into it!”
CHRIS- Listen to Newscast every weekday on 鶹ҳ Sounds.
CHRIS- I’m glad I asked that.
FEMALE- I’m very glad that you asked that!
Podcast
Get the latest episodes of the Access All podcast the moment a new episode goes live!
Podcast
-
Access All: Disability News and Mental Health
Weekly podcast about mental health, wellbeing and disabled people.