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Patrick Watson, Weyes Blood, Flume and Caroline Shaw discuss why perfection is a route to self-sabotage, having to play by the rules as a new artist, the pressure to be more candid and expose more of your personal life, and the ability of new technology to revolutionise music creation.

Singer, film composer and multi-instrumentalist Patrick Watson was born in California but raised in Montreal, Canada. He performed in local church choirs and played keyboards in a high-school ska band before co-writing several tracks with The Cinematic Orchestra.

Joining him is alt-pop singer and multi-instrumentalist Natalie Mering, aka Weyes Blood. She says she speaks to inspire the romanticism that is in us all with her gloomy sonic explorations.

Harley Streten, aka Flume, is a Grammy Award-winning musician, DJ and producer from Australia, known for his melodic, layered electronic sound, blending future bass and pop.

Caroline Shaw is a composer and violinist who is one of the leading figures in contemporary classical music. She began playing the violin at two years old, and in 2013 became the youngest ever winner of the Pulitzer Prize.