Back in 2010, I was sent by a 麻豆官网首页入口 producer to see if I wanted to adapt it. Adapt it? I was afraid to open it. I was scared to read about cancer for the same reason that people are bad at talking about it. It鈥檚 frightening 鈥� and the more people don鈥檛 talk about it, the more frightening it becomes.
Two pages in, I was laughing. A few hundred pages later I was still sitting in the same chair, holding the book to my chest in the way you do when you鈥檝e loved a book so much you don鈥檛 want it to be over. The book I had been afraid to open turned out to be one of the funniest, most uplifting books I had ever read.
The way Lisa squared up to the fear and the silence and 鈥渢he bullshit鈥�, as Lisa called it, around cancer was amazing enough, but for me the book was also about what it means to realise that you鈥檙e not in control of life and how hard that it is to accept. That鈥檚 a universal experience and I felt that Lisa鈥檚 writing spoke to it like nothing I had read before.
I had to meet Lisa and write this script.
Was it daunting to be introduced to her? Yes 鈥� but only for about 60 seconds as she had a knack for putting people at ease. She was exactly like the girl in the book. By the end of the first meeting, she was texting me playlists and we were arranging to meet up for G&Ts. And that鈥檚 how it continued. Emails, meetings, lots more playlists, lots more G&Ts. We became collaborators and friends.
There was no shortage of incredible material from which to build scenes. Everything was there in Lisa鈥檚 book and 鈥� amazing characters, brilliant dialogue, a tone that I loved. The challenge was that I had 90 minutes of screen-time and events that occurred over approximately five years of Lisa鈥檚 life. Finding the through-line 鈥� identifying what it was that would take us from the beginning to the middle to the end 鈥� was what I spent most time thinking about and experimenting with. Even though the blog is by its nature episodic, to work as a drama the adaptation had to have narrative propulsion and a 鈥榮hape鈥� so I had to continuously interrogate every scene to check it fitted that shape and served the narrative.
The book ends with Lisa being told that there鈥檚 no sign of cancer, and of course that鈥檚 where my script ended too. Then Lisa鈥檚 cancer came back. It was radically life-shortening and Lisa鈥檚 life and her blog went from being about beating 鈥渢he bullshit鈥� to trying to get her head around the enormity of the news and make the most of the time she had. This she did, with such incredible tenacity and zen-like awesomeness 鈥� without ever shying away from how impossibly hard it was.
Lisa and her family wanted the adaptation to continue. It would be a different story now, with a different ending, but of course no less deserving of being told. When it came to rewriting, I struggled to get started and I kept coming up with every kind of excuse not to sit down and do it. It was who unstuck me by coming over and talking to me about his and Lisa鈥檚 last few months together. With his encouragement and Lisa鈥檚 own words in her blog, I was able to write to the end.
It鈥檚 been five years from when I first sat there, scared to begin Lisa鈥檚 book and then gutted to have finished it. The 麻豆官网首页入口 producer who sent it to me was , and I wouldn鈥檛 have got here (or possibly anywhere) without her. Sue Hogg got stuff out of me I didn鈥檛 know was there and pushed past my fear and sadness and excuses and made sure I finished the job. and had such confidence and such conviction about the importance of telling Lisa鈥檚 story and that spurred me on. Some of the most important rewriting happened when (Kirkby) came onboard as director. He wanted us to use much, much more blog and that was critical and correct and transforms the final film 鈥� I鈥檓 so grateful for that.
captures Lisa uncannily. She鈥檚 everything Lisa knew she would be and more.
The feeling of seeing Lisa鈥檚 family watching it at a screening, laughing and crying and celebrating after, is simply impossible to describe. Also impossible to describe is the privilege of knowing Lisa and getting to work with her on this film. To which she鈥檇 say 鈥榮haddupayaface鈥� and ask if I鈥檇 removed my shocking music choices from the script yet (I did). I hope she鈥檇 be proud of it.