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Art as Protest

Ian Blatchford and Tilly Blyth on the furious artistic reaction to WW1 mechanised warfare

• 14 mins

Humans in the Industrial Machine

Ian Blatchford and Tilly Blyth on anxieties of production control in the industrial age

• 14 mins

Forms of Knowledge

Ian Blatchford and Tilly Blyth on encounters between sculptors and stringed maths models

• 14 mins

Supersonic

Ian Blatchford and Tilly Blyth on iconic imagery in the race to break the sound barrier

• 14 mins

Patterns from Atoms

Tilly Blyth on atomic design d茅cor at the 1951 Festival of Britain

• 14 mins

Omnibus 3

Ian Blatchford and Tilly Blyth on how art and science have inspired each other

• 57 mins

Wonder Materials

Ian Blatchford and Tilly Blyth on industrial change captured in The Man in the White Suit

• 14 mins

Polaroid Perceptions

Ian Blatchford and Tilly Blyth on shaping artistic landscapes through Polaroid snapshots

• 14 mins

Protecting the Earth

Tilly Blyth on a new awareness of a fragile Earth in the mystical drama Edge of Darkness

• 14 mins

Patterns of Thought

Ian Blatchford and Tilly Blyth on computer creativity and sonic art produced by algorithms

• 14 mins

Imagining Matter

Ian Blatchford and Tilly Blyth on imaginative roles artists play in conceiving the cosmos

• 14 mins

Omnibus 4

Ian Blatchford and Tilly Blyth on how art and science have inspired each other.

• 57 mins