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Music in the Classical period

Music in the changed in a number of significant ways from music in the . One of the key differences is that the music is full of beautiful melodies with balanced phrases and clear accompaniment textures.

Below is a timeline of the Western Europe musical periods which includes the point in time that Haydn was actively composing.

The Baroque period had composers Purcell and Bach, and featured the harpsichord.

Early had a standard three-movement form: fast-slow-fast. Haydn and Mozart developed this structure and developed it into a four-movement form by adding another middle movement. As the structure of the symphony expanded, so did the size of the orchestra.

A diagram of a typical Classical period orchestra with instrument families.
Figure caption,
Each of the instruments in an orchestra has its own defined seat - this shape and seating arrangement is still implemented today

The Classical orchestra

Haydn composes for a Classical orchestra comprising:

  • two flutes
  • two oboes
  • two clarinets
  • two bassoons
  • two French horns
  • two trumpets
  • timpani
  • strings

Clarinets in A and horns in G are transposing instruments. This means that the pitch written in the score is different from the pitch that is heard. All other instruments play at concert pitch. The timpani has only two notes - the tonic (G) and the dominant (D).

InstrumentWrittenSoundsTransposing interval
Clarinet in ACAMinor third lower
Horn in GCGPerfect fourth lower
InstrumentClarinet in A
WrittenC
SoundsA
Transposing intervalMinor third lower
InstrumentHorn in G
WrittenC
SoundsG
Transposing intervalPerfect fourth lower
The written note of C for a clarinet is A pitched. The written note C for a french horn is pitched at G.

The structure of the Classical symphony

Each of the have contrasting structures, themes, key signatures, time signatures and to one another. Although some symphonies may differ slightly, they tend to follow the same form as Symphony No.101:

  • Movement 1: opens with a slow introduction in D minor marked adagio. It is in triple time. After ending on the dominant, it leads into a D major presto in 6/8.
  • Movement 2: is in G major. It is in 2/4 and marked
  • Movement 3: is in D major. It is in traditional minuet and trio form.
  • Movement 4: is in D major. The finale is marked vivace.