Music in the Classical period
Music in the Classical period1750 - 1825. changed in a number of significant ways from music in the Baroque period1600 - 1750. . One of the key differences is that the music is full of beautiful melodies with balanced phrases and clear accompaniment textures.
Below is a timeline of the Western Europe musical periods which includes the point in time that Haydn was actively composing.
Early symphony A long composition for the orchestra, typically featuring four movements. had a standard three-movement form: fast-slow-fast. Haydn and Mozart developed this structure and developed it into a four-movement form by adding another middle movement. As the structure of the symphony expanded, so did the size of the orchestra.
The Classical orchestra
Haydn composes for a Classical orchestra comprising:
- two flutes
- two oboes
- two clarinets
- two bassoons
- two French horns
- two trumpets
- timpani
- strings
Clarinets in A and horns in G are transposing instruments. This means that the pitch written in the score is different from the pitch that is heard. All other instruments play at concert pitch. The timpani has only two notes - the tonic (G) and the dominant (D).
Instrument | Written | Sounds | Transposing interval |
Clarinet in A | C | A | Minor third lower |
Horn in G | C | G | Perfect fourth lower |
Instrument | Clarinet in A |
---|---|
Written | C |
Sounds | A |
Transposing interval | Minor third lower |
Instrument | Horn in G |
---|---|
Written | C |
Sounds | G |
Transposing interval | Perfect fourth lower |
The structure of the Classical symphony
Each of the movementIs a part of a musical composition. Sometimes pieces are made up of many different movements. have contrasting structures, themes, key signatures, time signatures and tempoThe speed that the music is played at. to one another. Although some symphonies may differ slightly, they tend to follow the same form as Symphony No.101:
- Movement 1: opens with a slow introduction in D minor marked adagio. It is in triple time. After ending on the dominant, it leads into a D major presto in 6/8.
- Movement 2: is in G major. It is in 2/4 and marked andanteAt a walking pace.
- Movement 3: is in D major. It is in traditional minuet and trio form.
- Movement 4: is in D major. The finale is marked vivace.