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I'm writing this blog in the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú's scorching production office in Monaco. It has huge windows and has been warming up all day long. Thankfully, EJ has just given me a very soggy cuddle and that is starting to cool me down.

The other positive is that after no lunch, the food Pete has bought for the production office is very welcome, and the cheese is awesomely tasty in the warm sun.

Anyway, I'll carry on munching and typing. My jeans are stuck to my legs with sweat, my feet ache and my forearms feel a little sunburned after being out in the heat since midday. It's now 6.50pm.

Incredible, isn't it, that , we have been outside for the past seven. That's due to half hour before going on air to ensure our technical equipment is working. We then do our pre-race show, the Grand Prix itself, followed by the Â鶹¹ÙÍøÊ×Ò³Èë¿Ú1 post-show and the F1 Forum.

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Â鶹¹ÙÍøÊ×Ò³Èë¿Ú F1 presenter Jake Humphrey takes you behind the scenes at the shoot for the opening sequence for 2011 Monaco Grand Prix.

Filmed & edited by Michael Cunliffe, Music - Bright Lights Bigger City by Cee Lo Green & Poker Face by Lady Gaga.

As I write this blog, we have just jetted off from the runway into the dark Turkish sky, I've set my watch back two hours to UK time and I'm thinking of rejecting the sausage and mash for a G&T and a few hours' much-needed kip.

As I look out of the window and the lights of our latest destination disappear in the haze far below us, and the music on my phone keeping me awake, I always get a little philosophical about what has gone on over the past few hours.

It sounds silly to say it, but at the time, despite being at the centre of it, there is so much going on that it's only now, a few hours later, that I can actually draw breath and appreciate what we've seen.

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