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Dyeing to Display

Tilly Blyth explores the impact of synthetic dyes on trend, turn-out and taste

• 14 mins

Capturing Time

Ian Blatchford and Tilly Blyth on freezing time in a speeding up world.

• 14 mins

Celebrating Speed

Ian Blatchford and Tilly Blyth on the Futurists' lust for speed in a new age of cycling.

• 14 mins

Omnibus 2

Sir Ian Blatchford and Dr Tilly Blyth explore how art and science have inspired each other

• 57 mins

Art as Protest

Ian Blatchford and Tilly Blyth on the furious artistic reaction to WW1 mechanised warfare

• 14 mins

Humans in the Industrial Machine

Ian Blatchford and Tilly Blyth on anxieties of production control in the industrial age

• 14 mins

Forms of Knowledge

Ian Blatchford and Tilly Blyth on encounters between sculptors and stringed maths models

• 14 mins

Supersonic

Ian Blatchford and Tilly Blyth on iconic imagery in the race to break the sound barrier

• 14 mins

Patterns from Atoms

Tilly Blyth on atomic design d茅cor at the 1951 Festival of Britain

• 14 mins

Omnibus 3

Ian Blatchford and Tilly Blyth on how art and science have inspired each other

• 57 mins

Wonder Materials

Ian Blatchford and Tilly Blyth on industrial change captured in The Man in the White Suit

• 14 mins

Polaroid Perceptions

Ian Blatchford and Tilly Blyth on shaping artistic landscapes through Polaroid snapshots

• 14 mins

Protecting the Earth

Tilly Blyth on a new awareness of a fragile Earth in the mystical drama Edge of Darkness

• 14 mins

Patterns of Thought

Ian Blatchford and Tilly Blyth on computer creativity and sonic art produced by algorithms

• 14 mins

Imagining Matter

Ian Blatchford and Tilly Blyth on imaginative roles artists play in conceiving the cosmos

• 14 mins

Omnibus 4

Ian Blatchford and Tilly Blyth on how art and science have inspired each other.

• 57 mins